I want to see Thomas Alan Taylor bomb on stage, and actually fail to portray a role well. This isn't said out of disdain or schadenfreude, but because, to date, I've seen no evidence that he can do any wrong as an actor.
What starts as a theatre audition quickly becomes something entirely different in the QC Theatre Workshop's second production, Private Eyes. And this change from what's real to what's ... well ... something else is something I don't want to fully describe, because such a shift happened several times - and at very unexpected moments - during Friday's performance, making the evening a bit of an intriguing thrill that repeatedly piqued my curiosity.
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