Ian McKellen and Milo Parker in Mr. HolmesFriday, July 24, 10:40 a.m.-ish: It's been so long since my last quadruple-feature - a miraculous six months plus! - that I'm only mildly dreading today's, and only then because I know it's ending with Adam Sandler. It's beginning, however, with Mr. Holmes, and while I can't imagine the world needing yet another showcase for Arthur Conan Doyle's literary sleuth, I'm psyched knowing this latest iteration will reunite director Bill Condon with his Gods & Monsters star Ian McKellen and Kinsey co-star Laura Linney. Most of the movie consists of McKellen's 93-year-old Sherlock, in 1947, contending with failing memory and the haunting case that forced his retirement, while Linney's Irish housekeeper Mrs. Munro cooks and tidies up. But while several mysteries arise and are duly resolved in the film, I am distracted throughout by two unresolved questions. (1) Who is this little kid Milo Parker who plays Sherock's protégé (and Mrs. Munro's son) Roger? And (2) How is this boy giving a performance that might be topping those of the excellent McKellen and Linney?

Theo James, Shailene Woodley, and Miles Teller in InsurgentINSURGENT

As was destined to happen at my well-attended-by-teenage-girls screening of Insurgent, I heard plenty of nervous titters when Shailene Woodley and Theo James finally unzipped their faux X-Men garb and got (PG-13) busy with one another, and solemn silence during most of the rest of this tear-stained, thematically pushy action adventure. But I did hear one other occasional sound, because nearly every time Miles Teller opened his mouth for a throwaway retort or vicious insult, the girls in my crowd laughed, and were completely right to. As Teller's Peter is an eternal thorn in our heroes' sides and a grade-A prick to boot - a character you'd presume more deserving of hisses than giggles - this was somewhat surprising. It was also hugely cheering. Those teen patrons may have collectively enjoyed the rampaging mediocrity of this Divergent sequel, but they also, just maybe, recognized true greatness when they saw it.

Rosemarie DeWitt and Adam Sandler in Men, Women & ChildrenMEN, WOMEN & CHILDREN

The single most definitive shot in director/co-writer Jason Reitman's "Ee-e-eek! The Internet!" melodrama Men, Women & Children is one from the previews, in which Ansel Elgort trudges toward dozens of fellow high-schoolers, all of whom are so fixated on their phones that they can't see anything, or anyone, directly in front of them.

Ansel Elgort and Shailene Woodley in The Fault in Our StarsTHE FAULT IN OUR STARS

The first words heard in the romantic tearjerker The Fault in Our Stars come from Shailene Woodley's cancer-stricken teen Hazel, who tells us, in voice-over narration, that Hollywood movies are never honest in their depiction of sad stories, and promises that when it comes to the sad story she's about to relate, "This is the truth." And in retrospect, the film lost me with those four little words, because almost nothing that happened over the next two-plus hours felt even close to true.

Chloe Grace Moretz in CarrieCARRIE

(Author's note: Spoilers will abound. Given that the movie under consideration is an oftentimes word-for-word updating of a 37-year-old work, I hope I'll be forgiven for them.)

As remakes of beloved genre classics go, I suppose there's little point in being bothered by the new Carrie. Director Kimberly Peirce's outing, after all, is easy to sit through, smartly staged, generally well-acted, and, in most regards, incredibly faithful to Brian De Palma's 1976 original (which was, itself, reasonably faithful to Stephen King's debut novel of 1974). The CGI effects are pretty weak, and the movie isn't even slightly scary, and considering that nearly all sentient beings know what happens to poor Carrie White at the prom - with the movie's entire advertising campaign based on post-prom imagery - there's almost nothing in the way of storyline surprise, but whatever. It's fine.