Chris Vallillo Chris Vallillo studied archeology in college, but when that didn't suit him professionally, he decided to give music a shot.

"I figured if I was going to starve, I was going to go ahead and try to play music and just see if I could make a living at it," he said in an interview last week.

But Vallillo's vocational choices aren't all that different: Both archeology and the study of folk music involve the excavation of artifacts to help illuminate the way people lived deep in the past. Vallillo - a singer, songwriter, guitarist, and folklorist based out of Macomb - is one of the main-stage performers at the Midwest Folk Festival this weekend in Bishop Hill, Illinois.

When most people hear the phrase "folk festival," they think of idealistic and liberal white people with acoustic guitars. The Midwest Folk Festival at Bishop Hill this weekend will have a few of those, but it's more of a folklore festival, highlighting ethnic and traditional arts.

So in addition to those acoustic guitars, the Midwest Folk Festival will feature Latin American music, the santur (the Iranian hammered dulcimer), the pipa (a Chinese stringed instrument), and the Irish fiddle. And its conception of "American" music is broad as well, with Delta blues, Cajun, and Creole styles.

The Kelly Richey Band If it's dark and raining this coming Tuesday, I welcome you to dig deep into the blues and huddle up to some misery-sharing company in three excellent new CDs that continue the lonesome soul tradition. My pick of the week is one of these new blues gems - Greg Brown's The Evening Call, a sinewy, wandering philosopher's masterpiece, a slow-motion, story-telling Americana diary that waltzes to the witty, pensive, poetic beat of Jack Kerouac, Bob Dylan, Tom Waits, and Todd Snider.

591_coverthumb "I'll tell you a cute little story," began Ray Voss, president of the Bix Beiderbecke Memorial Society. "There used to be an author in town, who passed away a few years ago. His name was David Collins. And he's written about 75 books - mostly for children - and he was also a teacher. Rich Johnson [the Bix society's music director] had been trying to get him to write a book about Bix, and he never wanted to do it.

"But one day in [Collins'] class, he said, 'Does anybody know who Bix Beiderbecke is?' So one kid got up and said, 'Yeah. He's the guy that's named after a run.'"

Voss then laughs, and says, in reference to 1998's Bix Beiderbecke: Jazz Age Genius, "So Dave got busy and wrote this really nice little book."

That is a cute little story.

So ...

... how many of your kids think Bix is named after a run?

 

Quad City SoundBoard logo Skepticism is often confused for cynicism, but the resistance that Quad City SoundBoard is running into seems to genuinely fall into the latter category.

SoundBoard, which was born roughly two years ago but has only solidified its organization over the past six or seven months, is a grassroots attempt to promote the local music scene. The group aims, said Vice President Tim Hobert, "to create a resource for the Quad Cities music community."

Mike Morgan & the Crawl Think about Sade, the cool and exotic British chanteuse known for "Smooth Operator." Now consider the "Texas Man" with an eye patch, Mike Morgan, whom Guitar World called "a genuine blues guitar hero" known for his incendiary playing. Mike's got all Sade's records and loves her jazz band.

And on his next album, which is currently in pre-production, "I've got one song I could really hear her recording," he said in a recent phone interview.

That's in addition to Morgan-penned numbers such as a "radio-friendly rootsy-rock song" that he and his band the Crawl have tried out live, an Otis Redding-like ballad, a couple of R&B "Al Green-ish-type things," a Louisiana-style ballad, a few shuffles, some "funky things," and "a Marvin Gaye ‘What's Goin' On' thing - I've never recorded anything like that."

A lot of 14-year-olds pick up an instrument to emulate their idols. It's just not often they choose the harpsichord.

But that's what George Shangrow did, and decades later, he's the director and founder of Orchestra Seattle and the director of the Seattle Conservatory of Music. This weekend he's performing on the piano and harpsichord as one of four musicians in the Black Hawk Chamber Music Festival.

The "Mostly Mozart Festival" celebrates the 250th birthday of the composer with two concerts each at Moline's First Congregational Church (on July 28 and 30) and Iowa City's Congregational Church (July 29 and 31).

River Cities' Reader Music GuideIn conjunction with this year's Music Guide, the River Cities' Reader has added new music-related features to its Web site.

You might notice that our print Music Guide no longer lists local bands, bars, and performance venues. That's because we've shifted that content to our Web site. As a result, it's searchable, and registered users can claim and edit their listings or create listings for their new bands or venues. In other words, the people who have the most to gain from accurate listings - whether they're bands, bars, or restaurants - will ensure that our database is as comprehensive and up-to-date as possible.

The Clash - Rude BoyBack before Blockbuster, Netflix, and other instant-gratification services, seeking out that elusive hipster film took a lot of praying and the luck of an art-house theater in your city to satisfy one's craving. One of those great rock-and-roll films that brought the excitement of a live concert was Rude Boy from 1980, a gritty street drama mixed with live footage from The Clash in 1978 performing every song from their white-hot self-titled debut. For years, fans passed around poorly copied dubs of its 1991 VHS release or searched for a copy on eBay, but the film returns this coming Tuesday in full DVD glory. The Epic Records' Legacy imprint release is packed with bonus goodies, including BBC sessions, interviews with sex-shop-worker-turned-roadie Ray Gange and band manager Johnny Green, a gallery of photography and sketches, and the original theatrical trailer. Also extended with four deleted scenes and two songs cut from the original presentation, the DVD technology allows the viewer to play only the concert footage, uninterrupted. A mesmerizing peek into the politically volatile times of the United Kingdom in the late 1970s, this is the early history of "the only band that ever really mattered."

 

Raul Malo - "You're Only Lonely" I'm loving every raindrop of sound in Raul Malo's new covers collection, You're Only Lonely. Due this coming Tuesday on the eclectic Sanctuary Records imprint, the Mavericks vocalist evokes a forgotten, crushed-velvet Roy Orbison world, spellbinding in his rich, golden tone and slow-dance restraint. And what could be more perfect than the lush brush of producer Peter Asher, a boy wonder in the '60s as half of Peter & Gordon and a master producer in the '80s with Linda Ronstadt, James Taylor, and 10,000 Maniacs? I found myself deeply moved with melancholy nostalgia with each listen, remembering the heyday of AM radio, when everyone - from the farmer chewing on a thin green stalk to the housewife in the big city setting the table - was humming along to the same, infectious melody. The song choices are impeccable, from J.D. Souther's title track to Randy Newman's "Feels Like Home" to a bonus duet with Martina McBride. Other highlights include The Bee Gees' "Run to Me," Harry Nilsson's "Remember," and the most haunting rendition of Willie Nelson's "Angel Flying Too Close to the Ground" I've ever heard. This is turn-down-the-lights music, serious baby-making stuff.

 

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