Images by photographer Chris Jones from Friday's Scorpions concert at the i wireless Center. Click on any photo for a larger version.

Nathaniel Rateliff

When I talked with Nathaniel Rateliff earlier this week, he was driving a dump truck for his job as a gardener, and closed the interview with these pronouncements when asked if there was anything he'd like to mention: "I love to swim. I like poultry."

Aside from hinting at a dry sense of humor, these things suggest that Rateliff is grounded person. And that's reflected in the path that he's chosen.

The Denver-based singer/songwriter, who will perform two Daytrotter.com shows on August 27, had an opportunity to have his rock band (Born in the Flood) and perhaps his current folk-ish outfit signed to the Roadrunner label. But he chose instead to follow his heart.

Nick CurranNick Curran's Reform School Girl starts with Etta James' "Tough Lover," in which the Austin, Texas-based singer, songwriter, and guitarist breaks out his best Little Richard impression while staying true to James' performance, from the opening growl forward. The album ends with AC/DC's "Rocker." In between are 12 Curran originals that make the compelling case that the essence of rock and roll didn't change much from 1956 (when "Tough Lover" was released) to 1975 ("Rocker") to 2010 (Reform School Girl).

Curran, who will perform with his band the Lowlifes at RIBCO on August 30, brings punk ferocity and grit to decidedly old-school rock, rockabilly, and blues. His music is undoubtedly retro, but his treatment of classic styles is so earnest, dirty, and fiery that it's impossible to fault him.

Creedence Clearwater RevisitedThe idea, says former Creedence Clearwater Revival bassist Stu Cook, began simply enough.

"Back in the mid-'90s, I relocated from southern California up to Lake Tahoe in northern Nevada, and Doug [Clifford, Creedence's former percussionist] had been living there with his family for 15, 20 years. We hadn't lived in the same area for decades, and we started hanging out every day, and playing music, and just talking about how much fun it was, and how it felt to play together again.

"So we were bound to get into trouble," says Cook with a laugh. "And goodness, look what happened."

Tennis

If the husband-and-wife duo of Tennis disappears a year from now, it will remain a great story. Frugal living and romance led to a sailing trip that led to the band that captured their journey in evocative, lovely lo-fi songs. Another period of frugal living will let Tennis test the musical waters over the next year, and if it doesn't work out, Patrick Riley said he's okay with that.

In a phone interview last month, Riley said he and his wife have saved enough money at their day jobs over the past year to "buy ourselves another year of doing whatever. Since music has taken off, we're just going to try the music thing for a year. ... If we can sustain ourselves, we'll keep doing it. If we can't, we'll just turn it back into a hobby again."

The Watson Twins

When Jenny Lewis, the singer of the indie-pop outfit Rilo Kiley, released her 2006 solo debut Rabbit Fur Coat, she credited the album to Jenny Lewis with the Watson Twins.

That small act of generosity is the primary reason that the Watson Twins -- who will perform a Daytrotter.com show at The Speakeasy on August 18 -- have their current visibility.

Cults

When the band Cults plays a Daytrotter.com show at The Speakeasy on Sunday, guitarist/songwriter Brian Oblivion promises plenty of fresh material. "Well, obviously," he said in a phone interview last week. "That's kind of the running gag of the tour. 'This is a new song. We wrote it a month ago.' 'This is an old song. We wrote it four months ago.'"

To put it mildly, things have moved quickly for the duo of Oblivion and Madeline Follin -- which adds four members for live performance. As Oblivion said, "We've had to kind of put everything you do normally in a band on fast forward." After unexpectedly finding a national audience earlier this year, Cults is now touring with Maps & Atlases (through mid-August), and the pair is working on songs for a full-length that it hopes to release around the end of the year. The two core members are taking a year off from school to see where music takes them.

Images by photographer Chris Jones from Saturday's Brad Paisley concert at the i wireless Center. Click on any photo for a larger version.

The Dawn

When Sean Ryan recorded his solo debut, Lonesome Driver Music, two years ago, his group the Dawn was around, but "I just wasn't ready to take the band I had into the studio," he said.

So he employed some noted local pros -- including drummer Marty Reyhons and guitarist Kerry Tucker, both from Einstein's Sister, and pedal-steel player Tom Pickett Jr. -- in the service of his songs, and the result was an excellent snapshot of a promising young writer and performer in good hands.

The Dawn has now finished its debut, and Ryan has clearly assembled a strong crew in the intervening period. Reyhons and Tucker still make contributions, but the self-titled record is anchored by a proper band: singer/songwriter/guitarist Ryan, Pickett, Jordan VanOpdorp on keyboards, Garrin Jost on bass, and Dave Soliz on drums. The band is an essential element, as Ryan's songs universally benefit from rigorous, full arrangements played with flair.

Mat Kearney. Photo by James Minchin.

Mat Kearney's July 14 show at the Redstone Room will feature the singer/songwriter and his guitar. That's a departure for somebody with his adult-contemporary credentials: two major-label albums, music appearing in roughly 20 television shows, four Billboard top-20 Hot Adult hits, and tours with John Mayer, Sheryl Crow, Jason Mraz, and Train, among others.

"I love playing with a band and production, and I would love to be in arenas ... flying through the crowd with Garth Brooks wings on or something," he said in a recent phone interview. But "after all the lights and band and buses, it was time for me to get back in the van with some friends and see where the wind blew us, remove a lot of the pressure and a lot of the schedule and just be able to roll into town and play the songs we wanted and head on to the next town. ... I can stop for as long as I want, I can talk for as long as I want, I can play whatever I want. There's just a lot more freedom for me to connect with people."

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