On its forth studio effort, Evolution, Liquid Soul delivers about what you'd expect: unbelievably tight arrangements, wizardry in soloing, and funky beats to boot. What you might not expect are the newest influences launched into the ever-changing stylistic universe of the Chicago-based septet, including a welcome infusion of world music, R&B-heavy grooves, and a surprising venture into the world of techno.
Though many people were probably filled with anticipation for the Quad City Symphony Orchestra season opener this past weekend, the Saturday concert turned out to be a mixed bag. In an all-Beethoven program, the first half featured an unfortunate and grim Symphony No.
There comes a time when a band knows that it’s ready for big things. You can tell from the packaging of and promotional materials for its newest CD that Shane Johnson’s Blue Train is ready to break out. They’re professional and polished, and they look damn good.
Jazz fans should make a point to take a trip to Galesburg this weekend for the second annual memorial concert for the late jazz and R&B guitarist and singer Ken Henderson - who spent most of his life around Galesburg raising a family on a farm.
The raking guitar and pounding double bass drums might hurt your mom’s ears, but when the lyrical content contains everything from Jungian and Melchezekian philosophy to a disturbing sexual metaphor for social numbness, it’s worth a listen.
You could not ask for a better venue. You could not ask for a better regional orchestra. And you could not ask for a better crowd, as more than 10,000 people packed into LeClaire Park on Saturday with blankets, wine, snacks, and the desire to end the summer right at the Quad City Symphony Orchestra’s Riverfront Pops concert.
The local music scene is rich with all sorts of musical styles, but hip hop is woefully underrepresented in the area. Local rap artist Commandiz Freez wants to fill that void, but he's also aiming for bigger things.
Unless you're of a certain age (under 30) and with a certain musical taste (complex loud music), there's a good chance you've never heard the music of Tool. The band gets little airplay, rarely writes the standard verse-chorus-verse song, and - to the untrained ear - produces something more akin to formless noise than music.
I was excited to check out New York’s Ulu when they came to Summerfest on July 12. I knew that they’d played at RIBCO a few months back, and I’d heard a snippet of Live at the Wetlands, Ulu’s second album, recorded in November of ’99.
Two years ago, Iowa City’s Kelly Pardekooper released Johnson County Snow with his Devil’s House Band, and I called it one of my favorite records of the year. Not among my favorite indie releases. Among my favorites, period.

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