Launched last year by the Azubuike African American Council for the Arts and taking place in various area locales June 6 through 9, the second-annual Pulling Focus African American Film Festival has been designed as a celebration of local film and culture that focuses on enriching the lives of Quad Cities residents, presenting unique film-watching experiences framed through the lens of African American and Black Diasporic voices.

Presented as the first of four events in the Figge Art Museum's Free Film at the Figge series, the award-winning 2022 documentary Jimmy in Saigon enjoys a June 6 screening in the Davenport venue's John Deere Auditorium, the work lauded by Film Carnage as "a loving, engaging, and sympathetic story," and by the Chicago Tribune as a documentary that "has the feel of a detective story. It will grab you."

Written, produced, and directed by co-star John Krasinski, the comedy fantasy IF concerns a bunch of imaginary friends (hence the acronym) eager to feel needed again, and when I first scanned the list of those voicing these beings, I practically needed an overnight bag and a canteen to get through it.

Considering that nearly all of its performances are motion-capture ones, I didn't expect to spend so much time at Kingdom of the Planet of the Apes marveling at the nuances of naturalistic human acting.

The leads are attractive and charming. The action is swift and loud. The jokes are unmissable. And if you spend more than five seconds thinking about The Fall Guy, the whole thing crumbles like a particularly flimsy house of cards.

Lauded by the New York Times as "big-screen perfection ... exceptionally well-written, full of wordplay and lively argument," Barbie visionary and Oscar nominee Greta Gerwig's coming-of-age masterpiece Lady Bird enjoys a May 16 screening with the Rock Island Public Library's downtown-branch Downtown Movie Club, the film a National Society of Film Critics Best Picture winner that, according to Variety, boasts "a powerfully distinctive voice."

I found Challengers almost obscenely entertaining – a deep dive into competitive and sexual power dynamics so overflowing with passion that your admission ticket should come with a complimentary mini-fan.

An Oscar-winning smash that Rotten Tomatoes' critical consensus says "delivers a must-see experience for fans of thinking person's sci-fi," and presented by Filmosofia and the Socratic Society, Denis Villeneuve's acclaimed 2016 film Arrival enjoys a special May 2 at Rock Island venue Rozz-Tox, its raves including The Telegraph deeming the work an "introspective, philosophical, and existentially inclined" work that "unfolds in an unwavering tenor of chest-tightening excitement."

Currently standing with a 97-percent "freshness rating" on Rotten Tomatoes and hailed by the Web site as "beautifully bittersweet," director Alexander Payne's Oscar-winning comedic drama The Holdovers enjoys a May 9 screening with the Rock Island Public Library's downtown-branch Downtown Movie Club, with the New York Times raving that "even as the story accrues the heft of personal tragedy, each scene seems to float or bob."

What is a marketing team to do when the element guaranteed to get butts in seats – in truth, the film's entire reason for being – is the one element that shouldn't be spoiled in advance?

Pages