Ma Rainey's Black Bottom is vital as a recorded piece of American-theatre history, and absolutely indispensable as a Chadwick Boseman farewell. Like Heath Ledger for The Dark Knight, Boseman won't win an Academy Award next spring because he died. He'll win because he was likely going to win regardless.

You kind of have to feel bad these days for David Fincher fanatics who genuflect at the brutal, testosterone-fueled altars of Seven and Fight Club and, to a lesser degree, Zodiac. They finally get their first new Fincher feature since 2014's Gone Girl, and it turns out that in order to even slightly enjoy the director's Mank (which premiered on Netflix this past Friday), they're required to have a pretty healthy working knowledge of Citizen Kane.

A trio of acclaimed, art-themed films will be screened free to members of the Figge Art Museum on December 4, with the Davenport venue hosting John Deere Auditorium screenings of 2007's My Kid Could Paint That, 2006's The Rape of Europa, and 2013's The Show That Shook the World.

Described by the U.K.'s The Telegraph as “serious-minded, informative, and knowledgeable” in its four-star review, the lauded documentary The Gene: An Intimate History – co-produced by legendary documentarian Ken Burns – will enjoy a special virtual presentation on November 19 courtesy of the Quad Cities' PBS station WQPT, with the event boasting a post-screening discussion and Q&A with the film's Emmy Award-winning director Jack Youngelson.