Following last year's “pandemic Oscars” that wound up nominating and awarding loads of titles that debuted on our TV screens, laptops, and phones, it made all the sense in the world for movie fans to be psyched about this year's return to a “traditional” Academy Awards. Finally! The chance to reward such critically acclaimed, crowd-pleasing box-office behemoths as Spielberg's West Side Story and King Richard's Rocky-esque tale of Venus and Serena Williams and the new Guillermo del Toro and … ! Wait. Where were the crowds?

This past weekend, I spent three-and-a-half hours watching movies in Iowa City. I also spent three-and-a-half hours reading movies in Iowa City.

An intimate yet sprawling work selected as an official entry in the Mountain Film Festival and the Sheffield Docfest, directors Raj Patel's and Zek Piper's The Ants & the Grasshopper serves as the latest presentation in River Action's QC Environmental Film Series, its February 6 premiere at Davenport's Figge Art Museum set to explore how, according to The Guardian, power and privilege shape climate justice and food justice from Africa to America – and how we might move forward together."

The short version is that it's a queasy morality fable about a fallen woman who, due to the love of a faultless man, ultimately discovers the grace of God and mends her wicked ways. The longer version is that this earnest, tacky, largely offensive trifle is – thanks to a handful of unexpectedly resonant performances – a lot less icky than it should have been. Damned actors. The good ones can make almost anything bearable.

While this latest, incessantly meta sequel is frequently clever and easily watchable, it also kept reminding me, unfortunately, that there's a fine line between smart and smarty-pants.

Described by CNN as “amazing,” by the San Francisco Chronicle as “wonderful,” and by the Hollywood Reporter as “a fascinating portrait,” Picture of His Life, the 2019 documentary on lauded underwater photographer Amos Nachoum, opens the 2022 season in River Action's QC Environmental Film Series, this January 23 presentation at Davenport's Figge Art Museum a multiple festival-award winner by acclaimed directors Dani Merkin and Yonatan Nir.

There's nothing much wrong with the action thriller The 355 that couldn't have been fixed with a better director and a better script.

Welcome to my 21 for '21 – a list of 21 cinematic favorites from 2021 (even if they were technically 2020 releases, and even if they didn't literally play at cinemas), along with 21 runners-up, and, because I'm only in half-bitchy critic mode these days, 10-and-a-half citations for the most egregious offenders of the past 12 months.

From its opening Meet Cute to its inspired roster of satiric figures to its rapturous finale in which two youths literally fall for each other (and into each other), Licorice Pizza all but bubbles over with euphoric high jinks, platonic-rom-com wit, and an unmissable desire to give audiences a great time. It's like the movie version of a chocolate-covered pretzel: salty and sweet, and something that, once consumed, makes you instantly crave more.

“Nothing comforts anxiety like a little nostalgia.” This is a piece of advice Morpheus gives Neo in the latest Matrix installment, and over the decades, Hollywood has certainly taken that truism to heart. This week saw no fewer than three franchise continuations – The Matrix Resurrections, Sing 2, and The King's Man (a prequel to the Kingsmen series) – debut on the same day. And while the films vary in quality between utterly delightful and mostly terrible, all three at least offer pleasures of the familiar: soothing presences, and recognizable flourishes, for anxious times.

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