slumdog-small.jpgSlumdog Millionaire has slipped in and out of the Box Office Power Rankings since the weekend starting December 19 ? spending four of those weeks in the rankings and two weeks out.

Michael Sheen and Frank Langella in Frost/NixonFROST/NIXON

Ron Howard's adaptation of playwright Peter Morgan's Frost/Nixon has been nominated for five Academy Awards, and in Variety magazine, Morgan reacted to its success by saying, "The film is political but entertaining, and the credit goes to Ron. He takes the experience the audience has at the cinema very seriously." That's why I love Howard, and also why, as a director, he drives me absolutely crazy.

Dev Patel and Freida Pinto in Slumdog MillionaireSLUMDOG MILLIONAIRE

Admitting that you have serious reservations about Slumdog Millionaire is a bit like admitting you have reservations about ice cream and rainbows and Malia and Sasha Obama - who would dare?

Jamal Woolard in NotoriousNOTORIOUS

Every musician's life is different, of course, but every musical bio-pic seems fundamentally the same: The humble beginnings, followed by the first hints of greatness, followed by the early romantic interests, followed by the steady rise to fame, followed by the new romantic interests, followed by the explosive success, followed by the personal setbacks, followed by the professional setbacks, followed by the cementing of the legend ... and if the movie can find room for a title card reading "With his life he proved that no dream is too big," so much the better.

Kate Winslet and Leonardo DiCaprio in Revolutionary RoadREVOLUTIONARY ROAD

Set in 1955, Revolutionary Road finds Leonardo DiCaprio and Kate Winslet portraying Frank and April Wheeler, a young, affluent couple who realize they're miserable with their well-ordered lives in the suburbs - beautiful home, adorable kids, friendly neighbors - and it would be perfectly understandable if audiences watched the pair's suffering and listened to their frequent fits of rage and asked, "What's the freaking problem here?"

notorious-small.jpgA reliable rule for critical aggregators is that Rotten Tomatoes will almost always be a more extreme number than Metacritic. Put another way, the Metacritic number will generally sit between the Rotten Tomatoes number and 50. This is a function of the up-or-down Rotten Tomaotes system compared to the shadings allowed by Metacritic. (A three-star review is fully positive to Rotten Tomatoes, but only three-quarters positive to Metacritic.)

There are so few significant exceptions that it's worth noting when they crop up. In this week's Box Office Power Rankings (won, for a second consecutive week, by Gran Torino), there are two: Notorious and Defiance. They both scored 52 at Rotten Tomatoes and significantly higher (61 and 58, respectively) at Metacritic.

Brad Pitt in The Curious Case of Benjamin ButtonWell before the 2009 Academy Award nominations were announced this morning, Oscar-watchers were abuzz over the potential excitement in this year's major categories. Would Slumdog Millionaire's seemingly unstoppable march toward a Best Picture win be derailed by a surge of popular support for The Dark Knight or even - gulp! - WALL•E? Would the season's continued award-splitting between Milk's Sean Penn (recipient of 15 pre-Oscar citations thus far) and The Wrestler's Mickey Rourke (14 and counting) allow Clint Eastwood to sneak in a career-achievement win for Gran Torino? Would Kate Winslet receive her long-overdue trophy for Best Actress in Revolutionary Road, or for Best Supporting Actress in The Reader ... or could the performer, as she did at the Golden Globes, actually walk away with both awards?

The excitement was fun while it lasted, huh?

Jaime King and Megan Boone in My Bloody Valentine 3-DMY BLOODY VALENTINE 3-D

You can assume you're in good hands at a modern horror movie when, within its first couple of minutes, that grizzled, '80s-scare-flick veteran Tom Atkins (he of The Fog and Creepshow and Halloween III: Season of the Witch) shows up as a scowling local sheriff. You pretty much know you're in good hands when the very first thing that Atkins growls, upon finding himself ankle-deep in holiday-themed carnage, is "Happy fuckin' Valentine's Day!" And if, by some miraculous happenstance, you get to watch this seminal genre moment occur while wearing 3-D glasses, to boot... . Well, I've seen better movies than My Bloody Valentine 3-D recently, but bless its forcibly-removed heart, I can't remember the last one that made me feel - in a good way - like a 13-year-old again.

Liev Schreiber and Daniel Craig in DefianceDEFIANCE

Am I the only person who wishes that Edward Zwick would go back to making sharp, bitchy comedies like his 1986 Rob Lowe-Demi Moore romance About Last Night...? The director's latest - the action drama Defiance - tells the astonishing, true-life story of the Bielski brothers, who hid hundreds of fellow Jews in a makeshift Lipicza?ska Forest camp during World War II, and who managed to fend off Russian officers and German armies through innovation, daring, incredible bravery, and a well-stocked supply of artillery. With Daniel Craig and Liev Schreiber as the ideologically warring siblings Tuvia and Zus Bielski, Defiance is impassioned and serious and God knows it's sincere, and it wasn't until about 45 minutes had passed that I realized I no longer watch Edward Zwick movies; I endure them.

717_movies_of_2008_gran_torino.jpgIn 2008, only one movie got a perfect score in the Box Office Power Rankings: Iron Man, twice in May.

In the second weekend of January, we already have our first perfect score of 2009: for Clint Eastwood's Gran Torino.

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