HAROLD & KUMAR ESCAPE FROM GUANTANAMO BAY

We've thus far managed to survive without sequels to Citizen Kane and Battleship Potemkin and Intolerance, so I'm not sure the world really needed a follow-up to Harold & Kumar Go to White Castle, 2004's ne plus ultra of gross-out stoner comedies. Yet it's clear that we could've done a helluva lot worse than Harold & Kumar Escape from Guantanamo Bay, a take-a-hit-and-miss effort in which, compared to its forebear, the highs are no higher, the lows are a tad lower, and the intentional stupidity is again tempered with bursts of shockingly subversive wit. As sequels go, it's no Godfather Part II, but it ain't Godfather Part III, either.

SMART PEOPLE

This past Friday, a couple of friends and I were discussing the long-delayed return of new episodes of NBC's Thursday-night comedies - the unfailingly hysterical 30 Rock and The Office, the shrill, irritating My Name Is Earl, and Scrubs, a show I've occasionally endured when I was feeling too lazy to change the channel. One of my friends admitted that Scrubs has been off its game for quite a while, but said he sticks with it because, after seven seasons, he's become too invested in the actors and their characters to stop watching. I felt the same way during director Noam Murro's Smart People.

21

Based on the Ben Mezrich nonfiction Bringing Down the House: The Inside Story of Six MIT Students Who Took Vegas for Millions, the film 21 boasts a far snappier title, yet I wouldn't recommend viewing it if you're even a day older than that. It's not often that a true story is re-told with such aggressive fraudulence, but 21 is a rare and rather spectacular failure - one in which your bullshit detectors wail at you early on and don't stop until you're rendered nearly deaf. The movie is directed by Robert Luketic, who also helmed Legally Blonde, and it's all just slightly less believable than Legally Blonde.

DR. SEUSS' HORTON HEARS A WHO!

If you can separate your memories of Dr. Seuss' books from the experience of the computer-animated Dr. Seuss' Horton Hears a Who!, you can have a reasonably good time at the film. You'll likely have a reasonably good time anyway, but for maximum enjoyment, it's best to ignore any prior knowledge of the kindly elephant and his microscopic speck-dwellers and simply accept this antic entertainment for the disposable blockbuster it is. Horton looks like a Dr. Seuss adaptation; it just doesn't much sound like one.