Having recently completed the run of its acclaimed presentation of How I Learned to Drive, Davenport's QC
Theatre Workshop is gearing up for its second and third productions in the company's 2013-14 season: Last
Call: The Songs of Stephen Sondheim, running November 1 through 17, and True West, with auditions for the
January show taking place on October 19.

With Last Call: The Songs of Stephen Sondheim, co-creators Tyson Danner (the Workshop's Artistic Director
and Last Call's music director) and Mike Schulz (Last Call's director) have fashioned an homage to the Tony-,
Grammy-, and Pulitzer Prize-winning composer/lyricist that is a showcase for some of Sondheim's finest musical achievements, sung by a cast of nine of the Quad Cities' most dynamic performers.

Last Call 's cast features: Erin Churchill (Circa '21's Irving Berlin's White Christmas, the District Theatre's Avenue Q); Don Denton (Circa '21's Miracle on 34th Street and The Full Monty); Angela Elliott (the Workshop's boom, the District Theatre's Company); James Fairchild (Circa '21's Buddy: The Buddy Holly Story, the District Theatre's Rent); Kim Furness (Circa '21's The King & I, the Curtainbox Theatre Company'sTime Stands Still); Patrick Gimm (Playcrafters' The Trouble with Cats, the Prenzie Players' The Rover); Mark Ruebling (Quad City Music Guild's Curtains, Countryside Community Theatre's Gypsy); Allison Swanson (St. Ambrose University's You Can't Take It with You, the Curtainbox's Wit); and, in her area-theatre debut, Sara Tubbs (ComedySportz's "Sketchville" ensemble).

Employing instantly recognizable and less familiar songs from such works as Sweeney Todd, Into the Woods,
Company, and even the film Dick Tracy (for which Sondheim won an Oscar for Best Original Song), the songs
of Last Call find spouses, lovers, friends, and strangers crossing paths, reminiscing, and connecting over the
show's 90-minute running length. Through beautiful music and haunting emotion, Last Call explores themes
frequently addressed in the Sondheim canon - particularly the intertwined joy and heartbreak of romantic love-
and runs November 1 through 17, with Friday and Saturday performances at 7:30 p.m., and Sunday performances at 3 p.m.

Meanwhile, two weeks prior to Last Call's opening, the theatre will host auditions for its January production (dates TBD) of the dark comedy True West, which will take place at the QC Theatre Workshop (1730 Wilkes Avenue, Davenport) at 1 p.m. on Saturday, October 19.

Written by Pulitzer Prize-winner Sam Shepard, True West is an intense, funny, and explosive tale of warring brothers, Hollywood screenwriting, and the frequently tricky, maddening, and dangerous bonds shared by
family. Shepard's Tony-nominated script will also be given a rather unusual presentation at the Workshop, as
the actors cast in the leading roles of Austin and Lee will play both characters during the show's run - the determination as to who-plays-which-role will be based on the results of nightly coin tosses held 10 minutes
before the performances begin.

True West calls for three men (ages 20s and/or older) and one woman (age 40 or older). Those auditioning
should be prepared to read from the script, and are asked to prepare a dramatic monologue of two minutes or
fewer. Résumés and headshots are welcome, but not required.

As with the Workshop's five previous productions, both Last Call and True West will be presented under the
company's popular "Pay What It's Worth" policy, which allows patrons to determine their own ticket prices following each performance.

For more information on performances of Last Call: The Songs of Stephen Sondheim or auditions for True West, contact Tyson Danner at (563)650-2396 or qctheatreworkshop@gmail.com,or visit QCTheatreWorkshop.org.

True West auditions

Saturday, October 19, 1 p.m.

Last Call: The Songs of Stephen Sondheim performances

Friday, November 1, 7:30 p.m.

Saturday, November 2, 7:30 p.m.

Sunday, November 3, 3 p.m.

Friday, November 8, 7:30 p.m.

Saturday, November 9, 7:30 p.m.

Sunday, November 10, 3 p.m.

Friday, November 15, 7:30 p.m.

Saturday, November 16, 7:30 p.m.

Sunday, November 17, 3 p.m.
A Green River Flows Through the QC Theatre Workshop, July 5 through 14
When the QC Theatre Workshop debuts its world-premiere presentation of A Green River, running at the Davenport venue July 5 through 14, author Aaron Randolph III will celebrate the end of a lengthy journey, as he's spent the last five years writing, re-writing, and continually developing his powerful combat-veteran drama.
Yet considering that the production's rehearsal process, as Randolph says, has been a truly collaborative effort between himself, director Daniel DP Sheridan, and the show's five-person cast - with entire scenes sometimes shaped primarily through improvisation - he won't be celebrating alone.
"Everyone has contributed to the finished product," says Randolph, "either through making suggestions for dialogue changes, or helping organize the material in more effective ways, or reinterpreting lines in ways I never would've imagined on my own. And while this sort of collaboration can sometimes turn 'simple fixes' into major undertakings, the end result is a much stronger play."
Adds Sheridan, "The depth brought to this production by the artists involved is what makes this one of the most dynamic theatrical pieces I've ever been involved with. There have been some heated discussions and disagreements, but they've only made us delve even deeper into this story."
A Green River centers on the character of Erik (portrayed by Thomas Alan Taylor), a young Army veteran who has returned from overseas to a world he now struggles to recognize. Told through a kaleidoscopic blend of present-day sequences, flashbacks, memories, and dreams, the 90-minute drama explores the frequently harsh realities of being a soldier, a husband, a son, a brother, and an expectant father - obligations that weigh heavily on Erik's already troubled mind.
Yet despite A Green River's weighty material, Sheridan states, "The script is incredibly engaging and really captures the scope of Erik's life. And in any life, there are moments of great joy and sorrow. I really think the audience will have a full emotional experience, because this play is heartbreaking, funny, scary, honest, dangerous, and thrilling."
"The show is all about very human people dealing with wide ranges of emotions," adds Randolph, whose production also features Jessica Sheridan, Joe Goodall, Jessica Denney, and Mike Schulz as significant figures in Erik's life. "So while there are some intense moments, there's also a great deal of love and humor in the play. I actually hope people find themselves laughing a lot during the course of the show."
Taylor, whose character is seen at many different ages over a two-decade period, is himself no stranger to the process of working on debuting scripts, as the actor appeared in five original theatrical productions as a student at the University of Iowa.
"Being part of a premiere really pushes you to re-attach to the role of storyteller," says Taylor, "because it's the only time the story itself is being developed along with the production. And it's very rewarding to be part of something that's never been done before. There's a higher sense of ownership for all of us, especially since this process has involved so much improvisation."
As for the role he has been entrusted with, Taylor says, "I love the challenge of bringing clarity and specificity to Erik's journey. It's extremely challenging to cover a 20-year arc, a harrowing struggle with civilian stresses, and the suffering of a modern American soldier all within the script's stream-of-consciousness structure. Aaron has done tremendous work, and being able to give breath to Erik through his words is quite an honor."
A Green River is also a considerable technical challenge, with the show's sprawling riverfront set, lighting, and original sound effects and music - composed by Randolph himself - contributing greatly to the show's tone.
"We are focused on using the technical elements to heighten the psychological state of Erik's character," says Sheridan. "We want the audience to not only witness, but feel, the stress Erik is under. And we're really pushing ourselves as artists in terms of expanding the experience at appropriate moments. We're holding nothing back in our design options."
Adds Randolph, "The play is about blending very natural things with very surreal things, and I'm trying to blend sound and music so there's a constant flow between reality and memory.
"I kind of have this sword-forging mentality about how I like to work," he continues. "When you make a sword, you shape the metal into place only to heat it back up and fold the metal again. By doing this over and over again, you end up with something that's effective and strong. And hopefully, that's what we're making here."
A Green River will be staged at the QC Theatre Workshop (1730 Wilkes Avenue, Davenport, IA) Friday, July 5, through Sunday, July 14, with show times at 7:30 p.m. on Fridays and Saturdays, and 3 p.m. on Sundays. Due to the play's adult language and violent scenes, this debuting drama is recommended for mature audiences, and as with the QC Theatre Workshop's previous productions, the show will be presented under the company's unique "Pay What It's Worth" policy, allowing audience members to determine their own ticket prices following each performance based on the quality of their theatrical experience.
For reservations and more information on A Green River, please call (563)650-2396 or e-mail info@QCTheatreWorkshop.org, and visit QCTheatreWorkshop.org and Facebook.com/QCTheatreWorkshop.
A Green River performance dates:
Friday, July 5 - 7:30 p.m.
Saturday, July 6 - 7:30 p.m.
Sunday, July 7 - 3 p.m.
Friday, July 12 - 7:30 p.m.
Saturday, July 13 - 7:30 p.m.
Sunday, July 14 - 3 p.m.
Location:
QC Theatre Workshop
1730 Wilkes Avenue, Davenport, Iowa, 52804
(563)650-2396
info@QCTheatreWorkshop.org
QCTheatreWorkshop.org
Facebook.com/QCTheatreWorkshop

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