If you’ve never been privy to the theatre-audition process, you may not realize how intense and cut-throat an experience it can be, and as A Chorus Line – currently being presented at Quad City Music Guild’s Prospect Park Auditorium – teaches us, it’s not always about how talented you are; sometimes it’s merely who you know. But while that bias can be an unfortunate reality, Music Guild’s vast display of on-stage talent dazzles you into momentarily forgetting the injustice.

Heat-advisory warning notwithstanding, Genesius Guild's staging of Prometheus Bound in Rock Island’s Lincoln Park was an experience not to be missed. As with most Greek tragedies, there is a moral dilemma that can give audiences insight into their lives, and director Michael Callahan staged a meaningful production that remains relevant 2,500 years after it was was written. (Who would have guessed we’d still be battling tyrants?)

There’s a new band in town – and they’re only around for two more nights. It’s Hedwig & the Angry Inch, and the Circa '21 Speakeasy is the perfect venue for a show that is simply a rock concert. With just enough Quad City references thrown in to make it seem like an actual tour, Hedwig (Anthony Natarelli) and her band (Kyle Jecklin on bass, Peter Letendre on drums, and Ben Kays on guitar) take you on a captivating musical recollection of the headliner's life.

Garson Kanin’s Born Yesterday was a Broadway hit in 1946, and while the subject matter holds up 72 years later, it isn’t strictly necessary that it does. While there are some parallels to be drawn from the Timber Lake Playhouse’s production and today’s society, the audience at Friday night’s performance didn’t seem to dwell on them, as director Chuck Smith put forth a straightforward comedy that elicited some chuckles but probably not intense political discussions.

Life is tricky with Trixie, considering she’s a toddler who communicates only in gestures and gibberish. Such is the premise of the Circa '21 Dinner Playhouse’s absolutely delightful children’s show Knuffle Bunny: A Cautionary Musical.

Do a quick Google search and you’ll find innumerable lists of the greatest books of all time. But if you aren’t quite as well read as you’d like, the Spotlight Theatre has a solution for you with their inaugural production of All the Great Books (Abridged).

There’s a big reunion in Geneseo! To celebrate the 50th-anniversary season of the Richmond Hill Barn Theatre, director John VanDeWoestyne got some of the 2008 Dearly Beloved gang back together for this summer’s sweetly nostalgic revival. The theatre’s audience voted to add the show to the season, and, along with over half the original production’s actors returning, the plot features its own reunion in the form of a family wedding. Dearly Beloved must have been remembered fondly because Thursday night’s opening was packed.

What would happen if you invited a friend over to listen to an original Broadway cast album? You’d probably turn it on and imagine the show in your head, inserting your opinions about what was going on as you listened. That is exactly what you will get from attending Augustana College's production of The Drowsy Chaperone.

“One day you’ll look at yourself and you won’t be who you were.”

Ladies and gentlemen, that is foreshadowing in Catch Me If You Can – but there are more than simple plot devices in director Michael Turczynski’s staging that runs this weekend at Quad City Music Guild's Prospect Park Auditorium.

When Neil Simon’s name is on a production, you tend to expect sentimentality and humor, and the Playcrafters Barn Theatre's opening-night performance of Simon's little-known Proposals was certainly humorous.

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