Double Ferris WheelIowa Pastimes, Thomas C. Jackson's current exhibit of paintings at the Figge Art Museum, is filled with vivid observations of two American institutions filtered through the single eye of the artist's camera. Both worlds - political conventions and the Iowa State Fair - are spectaculars with bright lights, designed to generate excitement and movement, and they make their appeals to the great cross section of America.

Annual Manual for the Arts

 

 

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Reader issue #643 Welcome to the Annual Manual for the Arts.

In years past, the River Cities' Reader has published a music guide each summer. We've expanded our vision this year with this inaugural Annual Manual for the Arts.

The impetus behind the Annual Manual for the Arts is that there has been no single resource for the arts in the Quad Cities, whether you're a consumer of the arts, one of their practitioners, or someone who wants to become one of their practitioners.

Eclectic Eye When it comes to art, most artists will tell you that the excitement, or the magic, actually happens during the creative process. And that usually happens in the studio.

But deciding what represents an ideal studio space will hinge on several factors. The nature of your work places demands on what type, size, and character of studio space you need, for instance. And while an open-to-the-public studio might bring the twin benefits of exposure and sales, it can also make it difficult to work.

img_0509.jpg In the new exhibit at Quad City Arts, the concept of the private journey is illustrated by two artists. But by showing only the means of literal transportation - vessels and roads - the artists create something universal to help us consider our own spiritual travels.

Joan Webster-Vore presents dream-like paper vessels of poetic beauty, while Fritz Goeckner shows large, softly bright digital color photographs of rural highway landscapes that offer the everyday in a new and beautiful way.

Reader issue #640 The Caped Crusader crashes through the window. A spray of glass shards partially melds into the two loosely rendered gray figures. Their ominous shapes and the frantic motion of the broken glass add tension to the pugilistic struggle that ensues. That is just part of the skull-thumping, chain-bursting action to be found in the Figge Art Museum's Comics, Heroes, & American Visual Culture, an exhibition light on context but rich with exciting visuals.

Ralph Iaccarino, Aquatic Rush Hour - Koi Dance Artists Ralph Iaccarino and Silvia Engel are wonderfully matched in an attractive show at the MidCoast Fine Arts Gallery at the Mississippi Valley Welcome Center in LeClaire. Iaccarino paints light and musical colors in a flat space, while Engel works in a shallow space with luminescent three-dimensional colors.

Hiroshige - Lady with a Parasol Roughly 150 years ago in Europe, Impressionist and young Post- Impressionist artists were first delighting in the ukiyo-e, wood-block prints from Japan.

These images portrayed popular Japanese actors and courtesans, illustrated well-known stories and plays, showed views of landscapes with everyday people, and documented scenes from ordinary life. These inexpensive prints were wildly popular in Japan, and became a huge influence on 19th Century European artists. These prints changed art history, and as surprising as they seem now, they were even more startling in mid-19th Century Europe.

Marilyn Monroe - Celluloid Survival While Dennis Kendall Hall's work captures numerous famous people and aspects of pop culture, it would be inappropriate to think of his work within the confines of Warhol-ian Pop Art. Andy Warhol focused on celebrity, persona, packaging, façades, and mass production. Hall's work has a sensitivity that more frequently captures the beautiful and eccentric personalities of the "real" world instead of the glossy unreality of the "glamorous."

Nest Tower and Suspended Nest HouseThere is a delicious communication between an artist and an audience through the created works. The movement of ideas into art gives off meanings that we, the audience, can then discover from our own understanding.

Adding the energies and sensibilities of two artists to this mix can be like two cooks in the same kitchen, bumping into each other, working separately but inspiring each other, or blending into a new persona.

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