25
Nov
2013
Sitting down with director John Weigandt, assistant director Jaci Weigandt (John's wife), and cast members Faith Hardacre and Jennifer Sondgeroth prior to a Tuesday-night rehearsal for Quad City Music Guild's A Christmas Survival Guide, I mention that this forthcoming show seemed like a rather unusual choice for the organization's wintertime slot.
"What?" asks Hardacre with mock surprise. "We don't normally have drunken dances on stage?"
I'm probably too old to go to the mall this December and sit on Santa's lap and tell him what I want for Christmas. (Cue the chorus of "Probably?!?") But if I did, as a huge fan of the local stage scene, I'd say that I really wanted a winter filled with plentiful and diverse theatrical options: musicals, dramas, comedies, dance presentations, family offerings, seasonal titles, a Tony winner here, a Pulitzer Prize winner there ... and if he also wanted to throw a Shakespeare or two into the mix, that'd be fine with me.
Stephen King. John Mellencamp. T Bone Burnett.
Stephen King, Agatha Christie, the Headless Horseman, Dracula, Medusa, Witches, Murder, Horror, Ghost Brothers ... . Halloween's more than two months away, and our area's fall-theatre lineup is already freaking me out.
"You know, it's been interesting," says Christina Myatt, president of the board of directors for the Eldridge-based Countryside Community Theatre (CCT). "Because we wanted to do something big for our 30th anniversary, and this is definitely something big. But when people hear what we're actually doing, they either say, 'That's really great!' or they say, 'You people are insane.'"
The local theatre troupe the Prenzie Players is most commonly known for stylistically bold, occasionally gender-bending takes on classical dramas and comedies, principally the works of William Shakespeare. But the company is about to embark on a particularly challenging experiment with its forthcoming production of the debuting Bear Girl - and the play's author, Prenzie co-founder J.C. Luxton, could hardly be accused of aiming too low.
At last count, there were a grand total of 69 theatrical productions scheduled to debut at area venues between Memorial Day weekend and Labor Day weekend. That's awfully impressive. Yet what's even more impressive - and, in all honesty, really unusual - is that you could actually catch all 69 without ever seeing the same show twice.
Over the years, Davenport's New Ground Theatre has prided itself on the presentation of new works by emerging authors. But this year, even Artistic Director Chris Jansen is shocked to find the company not only producing eight new works in a season, but eight new works - the majority of them by local authors - over a two-night span.
Welcome to the Reader's annual article on springtime area-theatre productions, where our trek through the season's comedies, dramas, and musicals will have us taking a walk in the woods with Antigone, wandering into suburbia with Eurydice, and realizing that something's afoot in our town when Talley's folly makes Cinderella go boom on Avenue Q.
For our third-annual conversation on the Year in Theatre, Thom White - the Reader's chief theatre reviewer - and I thought we'd shake things up a bit. So instead of meeting for an hours-long breakfast to discuss the area stage scene, we met for an hours-long dinner to discuss the area stage scene.
