Steve Carell and Juliette Binoche in Dan in Real LifeDAN IN REAL LIFE

There are movies you enjoy and movies you don't, and then there are movies that you detest so thoroughly that you watch them more actively than most films you love; your anger keeps you alert.

Jason Schwartzman, Adrien Brody, and Owen Wilson in The Darjeeling LimitedTHE DARJEELING LIMITED

Regarding Wes Anderson's The Darjeeling Limited, let's acknowledge the elephant in the room right away: Watching Owen Wilson play a damaged, bandaged dreamer who recently survived a suicide attempt and masks his sadness with optimism and good cheer is almost painfully poignant, and at times, more than a little tough to watch. Happily, though, you can easily imagine being just as moved by him without awareness of the actor's off-screen troubles.

George Clooney and Sydney Pollack in Michael ClaytonMICHAEL CLAYTON

There's a spirit of fatalism and dread that hangs over nearly every scene in Tony Gilroy's legal thriller Michael Clayton, and the miracle of the movie is that its grimness doesn't equal torpor; for a work drenched in both literal and figurative darkness, it's exquisitely, robustly entertaining. Like the films in the Bourne franchise (all of which Gilroy scripted), Michael Clayton is a smart, knotty diversion that keeps your senses, at all times, alert, and happily, the movie's ecologically minded plotline - involving an agricultural chemical company being sued for poisoning communities - doesn't have sanctimonious intent. The movie isn't designed to be Good for Us; it's just designed to be good. And it's very, very good.

Ben Stiller and Malin Akerman in The Heartbreak KidTHE HEARTBREAK KID

Outside of a few pornos, I don't think I've ever seen a beautiful actress being treated quite so offensively on-screen as Malin Akerman is in The Heartbreak Kid.

Maria Bello and Hugh Dancy in The Jane Austen Book ClubTHE JANE AUSTEN BOOK CLUB and THE GAME PLAN

On their surfaces, The Jane Austen Book Club and The Game Plan would seem to have nothing in common. One's a dramatic-sitcom wherein a sextet of bibliophiles dissect a noted author's works and unintentionally enact her plotlines; the other's a Disney slapstick wherein an adorable moppet teaches fatherhood lessons to a professional quarterback. (No points for guessing which film is which.)

Charlize Theron and Tommy Lee Jones in In the Valley of ElahIN THE VALLEY OF ELAH

Paul Haggis' In the Valley of Elah continually approaches greatness without ever really getting there.

Walter Day and Steve Wiebe in The King of Kong: A Fistful of QuartersTHE KING OF KONG: A FISTFUL OF QUARTERS

Well before Seth Gordon's documentary The King of Kong: A Fistful of Quarters was released (in other markets) six weeks ago, the director/editor had also been tapped by New Line Cinema to remake it as a more traditionally crowd-pleasing Hollywood narrative. Having now seen Gordon's hugely enjoyable doc, I can barely fathom a more redundant film concept.

Vincent Cassel and Viggo Mortensen in Eastern PromisesEASTERN PROMISES

As I generally try to, I held off on reading reviews of David Cronenberg's Eastern Promises until I'd actually viewed the movie. (Admittedly, I occasionally fail at this task.) I was well aware of its hype - the film received the top prize at the recent Toronto International Film Festival - but also leery of it, as Cronenberg is a critics' darling whom I admire but whose works I usually don't. (Despite titles such as A History of Violence, eXistenZ, and Naked Lunch, the last movie of his I genuinely adored was 1988's Dead Ringers.)

Jodie Foster in The Brave OneTHE BRAVE ONE

For what is essentially a lurid revenge thriller, Neil Jordan's The Brave One is fascinatingly complex ... for a while.

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