Peter Dinklage and Patricia Clarkson in The Station AgentTHE STATION AGENT

After spending 90 minutes with the cast of Tom McCarthy's The Station Agent, I believe I would, à la The Purple Rose of Cairo, have eagerly leapt right into the screen and been content to spend the rest of my life in their company.

Are mainstream movies, in general, becoming more and more stale? The question arose a couple of weeks ago when an acquaintance asked if I'd seen anything good recently. After a pause I was finally able to reply, "Uh ... Return of the King?"

"Well, of course that. Anything since then?"

Jude Law in Cold MountainCOLD MOUNTAIN

Though the story of two separated lovers braving incredible hardships to eventually reunite is a common one in war-themed movies, I don't think I've ever been less moved by it than in Anthony Minghella's Cold Mountain, an adaptation of Charles Frazier's much-adored Civil War novel.

Diane Keaton and Jack Nicholson in Something's Gotta GiveSOMETHING'S GOTTA GIVE

In Something's Gotta Give, a sixtysomething womanizer, currently dating a twentysomething auctioneer (!), finds himself, for the first time ever, falling in love with a woman roughly his age, and - wouldn't ya know it? - it's his girlfriend's mother! Has there ever been so High a Concept? A forced, jokey premise like this is usually enough to make me hide under my theater seat; it's a situation so nakedly designed to provide good-natured chuckles and muffled sobs that a hardened cynic like me walks into the movie with all defenses immediately up.

Tom Cruise in The Last SamuraiTHE LAST SAMURAI

Occasionally, all it takes is sharp cinematography to get critics all woozy. How else to explain the positive notices for Edward Zwick's The Last Samurai, a period epic so unexceptional and derivative it might as well have been called Dances with Wolves Meets Braveheart? (Barkeep! Oscars for all!)

Billy Bob Thornton and Lauren Graham in Bad SantaBAD SANTA

You might find yourself fearing the worst in the opening reel of Terry Zwigoff's Bad Santa.

Brendan Fraser, Jenna Elfman, Steve Martin, Bugs, and Daffy in Looney Tunes: Back in ActionAlthough I'm sure some of you are wondering if Dr. Suess' The Cat in the Hat is as thoroughly obnoxious as its trailers indicate, I'll begin assessing the major holiday releases next week. Until then, here's a look at the pre-Thanksgiving leftovers ... .

Emma Thompson in Love ActuallyLOVE ACTUALLY

If you are to believe the (mostly) glowing responses to Love Actually, writer-director Richard Curtis has compressed material for a half-dozen romantic comedies into one, creating, in the words of one reviewer, "an epic romantic comedy." But that's not exactly accurate. For his first directorial outing, Curtis - the clever, funny screenwriter of Four Weddings & A Funeral and Notting Hill - has apparently decided to take every idea he's ever had, every last one, and blend them into a frothy, holiday-themed confection; it's less an epic romantic comedy than a romantic comedy shaped as an epic (which isn't the same).

Keanu Reeves and Hugo Weaving in The Matrix RevolutionsTHE MATRIX REVOLUTIONS

The Matrix was, for me, mostly hooey, and this summer's The Matrix Reloaded seemed, at best, visually resplendent nonsense, so imagine my surprise when I attended The Matrix Revolutions and found myself really enjoying it.

Meg Ryan and Mark Ruffalo in In the CutIN THE CUT

Jane Campion's erotic thriller In the Cut is, for the most part, an unholy mess, but as messes go, it's certainly one of 2003's more intriguing ones.

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