While Davenport-based experimental folk artist and singer/songwriter Sammerson Bridge foregrounds his new album Happy Day with an air of self-deprecation and presents the project as a tossed-off lark, from the crude photo collage on its album cover to the tongue-in-cheek verbal greeting he plants at the beginning of the first track (“this is my new album”), these appear to be little more than defense mechanisms to downplay the fact that the dude makes great music.

There must be something in the water in the Quad Cities that makes absolute shredders out of its residents. I feel like every month, when I’m digging through local music on Bandcamp, some new project that I’ve never heard of before leaps out at me with a malevolent grin and says, “Here, take this masterful, fully realized [death metal] [black metal] [progressive metal] [grindcore] album that was probably recorded in some guy's home studio but that hits with rock-solid ideas and a professional level of production that can compete with the most high-budget release on a larger label.”

Whoa! Before discovering this gem on Bandcamp, I had no idea that living legend Mike Watt, the bassist and co-guiding force of seminal independent punk progenitors Minutemen and a whole host of other great projects from the '80s and beyond, had a duo with an Iowa-based musician – Iowa City’s jack-of-all-trades songwriter/singer/multi-instrumentalist Samuel Locke Ward (a.k.a. SLW). As you might expect from anything in Watt’s orbit, it rips.

The rate at which prolific musicians in the Bandcamp era can churn out new material on a short notice will never cease to amaze me. The idea of an “album cycle” in which an artist drops one album a year, or even less frequently, and spends the time between proper releases promoting and performing based around one album’s material still exists in the upper echelons of the music industry.